Tammy Lai-Ming Ho
- Postcard for One City One Book Hong Kong 2020, which featured Xi Xi’s My City The Shanghai-born Hong Kong writer Xi Xi (b. 1937) was the 2019 winner of the Newman…
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Illustration by Yang (see footnote) AS THE YEARS GO BY and I get more advanced in age, I find I have become increasingly self-aware. It’s hardly an astonishing rev…
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Photo: Iva Krakovic Grace Chia is the author of the poetry collections womango, Cordelia, and Mother of All Questions, the short-story collection Every Moving T…
- Left: Dickens reading to his daughters. Right: The Pickwick Papers According to Guglielmo Cavallo and Roger Chartier, reading aloud was a common practice in the ancient world, the Middle A…
- Bunches and Bits {Karina}, “Sepia,” November 2009 T. S. Eliot, in 1928, famously called Ezra Pound “the inventor of Chinese poetry for our time.”1 Eliot was referring to Pou…
- In Chan Koonchung’s The Fat Years, first published in Chinese in 2009 and translated into English in 2011, a novel depicting a dystopian contemporary China, people collectively forget…
- Stone faces in Cambodia. Photo by Tammy Ho. In the second installment of “Asian Traumatic Poetics” (to read part 1, click here), I will look at two more poems published in Cha…
- Chris Beckett, One & Other, by Antony Gormley, Trafalgar Square, London, 2009. In this post and one that will follow next week, I will explore the representation of personal trauma in…
- Drew Wilson, “End of Amnesia,” 2009 1. Kazuo Ishiguro’s long-awaited The Buried Giant (2015), his first novel in ten years, is set in a mythologized fifth-century Britain…
- Hartwig HKD, “Black Icarus,” 2010. Old photographs and their conventions are both familiar and foreign to us, with their alienated and uncanny appeal. They also often seem very formal a…